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	<title>sublab production</title>
	<link>http://www.sublab.tv/</link>
	<description>laboratoire de production</description>
	<language>en</language>
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		<title>sublab production</title>
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<item xml:lang="en">
		<title>Phantom Flex</title>
		<link>http://www.sublab.tv/Phantom-Flex,187.html</link>
		<guid isPermaLink="true">http://www.sublab.tv/Phantom-Flex,187.html</guid>
		<dc:date>2011-05-12T15:26:50Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>elie</dc:creator>



		<description>Sublab is proud to offer Vision Research's newest high-speed camera&#8212;the Phantom Flex. Packing a four megapixel colour CMOS sensor (2560 x 1600 pixels), it can record at speeds anywhere from 10 up to 2570 frames-per-second (fps) and in a variety of formats. To learn more, consult the article about the FPS/resolution chart in the technical specifications. In Phantom HQ Mode&#173;&#8212;Vision Research's image enhancement technology&#8212;the new digital camera creates deep and stable blacks, low noise, and as (...)

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&lt;a href="http://www.sublab.tv/-Phantom-Flex-.html" rel="directory"&gt;Phantom Flex&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;Sublab is proud to offer Vision Research's newest high-speed camera&#8212;the Phantom Flex. Packing a four megapixel colour CMOS sensor (2560 x 1600 pixels), it can record at speeds anywhere from 10 up to 2570 frames-per-second (fps) and in a variety of formats. To learn more, consult the article about the FPS/resolution chart in the technical specifications.&lt;/p&gt; &lt;p&gt;In Phantom HQ Mode&#173;&#8212;Vision Research's image enhancement technology&#8212;the new digital camera creates deep and stable blacks, low noise, and as wide a dynamic range as any other traditional digital camera. The camera's sensitivity is moreover 1200 ISO (measured using ISO 12232 SAT method), which translates into major savings in lighting and enhanced comfort for the chief operators.&lt;/p&gt; &lt;p&gt;Flex for flexibility: In addition to being CineMag compatible, the Phantom Flex has a 12-bit dual-link HD-SDI port, making it possible to combine two workflows (raw digital and 4:4:4 video).&lt;/p&gt; &lt;p&gt;As far as accessories go, the Flex features two 12 V auxiliary power outputs, two ports, not to mention an internal mechanical shutter. The camera team can therefore do black balancing in SQ mode without using the manual shutter, camera positioning is made easier, and a range of previously impossible shots are opened up, all the while guaranteeing the ultimate in image quality.&lt;/p&gt; &lt;p&gt;Driven by our clients' specific needs, Sublab offers personalized rental and support services. Thanks to multiple partnerships with other audiovisual purveyors, Sublab is able to fulfill all your equipment needs&#8212;or fill in any gaps. And if your imaging needs seem complicated or even out of the ordinary, feel free to contact us&#8212;that's what we thrive on. See for yourself by checking out our sample work on our Web site.&lt;/p&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="en">
		<title>Sp&#233;cifications Techniques</title>
		<link>http://www.sublab.tv/Specifications-Techniques,188.html</link>
		<guid isPermaLink="true">http://www.sublab.tv/Specifications-Techniques,188.html</guid>
		<dc:date>2011-05-12T14:30:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>elie</dc:creator>



		<description>Speed Chart (fps) R&#233;solution Max. SQ mode HQ mode 2650 x 1600 1455 725 1920 x 1080 2570 1275 1280 x 720 5350 2640 640 x 480 10750 5285 Resolution Max. : 2560 pixels x 1600 pixels Nombres de Pixels : 4 194 304 pixels Pixel Bit Depth : 12 bit Dimension capteur : 25.6 mm x 16.0 mm ISO : 1000 ( 500 ASA, 25 fps, 180&#176; shutter) (...)

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&lt;a href="http://www.sublab.tv/-Phantom-Flex-.html" rel="directory"&gt;Phantom Flex&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;table class=&quot;spip&quot;&gt;
&lt;tbody&gt;
&lt;tr class='row_even'&gt;
&lt;td&gt; &lt;/td&gt;
&lt;td&gt;Speed Chart (fps) &lt;/td&gt;
&lt;td&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr class='row_odd'&gt;
&lt;td&gt; R&#233;solution Max. &lt;/td&gt;
&lt;td&gt; SQ mode &lt;/td&gt;
&lt;td&gt; HQ mode &lt;/td&gt;&lt;/tr&gt;
&lt;tr class='row_even'&gt;
&lt;td&gt; 2650 x 1600 &lt;/td&gt;
&lt;td&gt; 1455 &lt;/td&gt;
&lt;td&gt; 725 &lt;/td&gt;&lt;/tr&gt;
&lt;tr class='row_odd'&gt;
&lt;td&gt; 1920 x 1080 &lt;/td&gt;
&lt;td&gt; 2570 &lt;/td&gt;
&lt;td&gt; 1275 &lt;/td&gt;&lt;/tr&gt;
&lt;tr class='row_even'&gt;
&lt;td&gt; 1280 x 720 &lt;/td&gt;
&lt;td&gt; 5350 &lt;/td&gt;
&lt;td&gt; 2640 &lt;/td&gt;&lt;/tr&gt;
&lt;tr class='row_odd'&gt;
&lt;td&gt; 640 x 480 &lt;/td&gt;
&lt;td&gt; 10750 &lt;/td&gt;
&lt;td&gt; 5285 &lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Resolution Max. :&lt;/strong&gt; 2560 pixels x 1600 pixels &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Nombres de Pixels :&lt;/strong&gt; 4 194 304 pixels
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Pixel Bit Depth :&lt;/strong&gt; 12 bit &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Dimension capteur :&lt;/strong&gt; 25.6 mm x 16.0 mm
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;ISO :&lt;/strong&gt; 1000 ( 500 ASA, 25 fps, 180&#176; shutter) &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Type d'obturateur :&lt;/strong&gt; Global electronic shutter
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;High-Speed (DRAM) Memory :&lt;/strong&gt; 32GB integrated &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Monture Optique :&lt;/strong&gt; PL Mount
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;DC Power / Battery :&lt;/strong&gt; Yes; Two +24VDC power inputs to allow for &#8220;hot swapping&#8221; power
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Video Out :&lt;/strong&gt; 2 x 4:2:2 HD-SDI video ports, can be configured as dual-link 4:4:4 video, viewfinder HD couleur
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Dimensions corps cam&#233;ra :&lt;/strong&gt; 31.1 cm x 14 cm x 12.7 cm &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Poids :&lt;/strong&gt; 4,75 kg (sans cinemag ni optique) &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Ethernet Connectivity Gigabit Ethernet :&lt;/strong&gt; 1000BASE-T&lt;/p&gt; &lt;p&gt;and more...&lt;/p&gt; &lt;p&gt; &#160;-HQ Mode ensures stable blacks and significantly improves dynamic range &#160;-Phantom CineMag compatible &#160;-Hands-free internal mechanical shutter for black referencing &#160;-Genlock for synchronizing video playback&#8212;essential for 3-D video workflows &#160;-Timecode in/out -&#160;Dual-fan with silent mode for shooting sound&lt;/p&gt;&lt;/div&gt;
		
		</content:encoded>


		

	</item>
<item xml:lang="en">
		<title>FAQ Phantom Flex</title>
		<link>http://www.sublab.tv/FAQ-Phantom-Flex,189.html</link>
		<guid isPermaLink="true">http://www.sublab.tv/FAQ-Phantom-Flex,189.html</guid>
		<dc:date>2011-05-12T11:36:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>elie</dc:creator>



		<description>What is Phantom Flex's SQ mode? In standard (SQ) mode, the Phantom Flex is just like the Phantom HD Gold. In this mode at a resolution of 4 megapixels (2560 x 1600 pixels), the Phantom Flex is capable of shooting anywhere from 10 up to 1560 ftp. By reducing the resolution, it can reach a recording speed of 2800 ftp at 1080P (1920 x 1080), while at 720P (1280 x 720), its maximum speed is 6100 ftp. What is Phantom Flex's HQ mode? The Phantom Flex is the only camera offering HQ mode. This (...)

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&lt;a href="http://www.sublab.tv/-Phantom-Flex-.html" rel="directory"&gt;Phantom Flex&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;What is Phantom Flex's SQ mode?&lt;/strong&gt;&lt;/p&gt; &lt;p&gt; In standard (SQ) mode, the Phantom Flex is just like the Phantom HD Gold. In this mode at a resolution of 4 megapixels (2560 x 1600 pixels), the Phantom Flex is capable of shooting anywhere from 10 up to 1560 ftp. By reducing the resolution, it can reach a recording speed of 2800 ftp at 1080P (1920 x 1080), while at 720P (1280 x 720), its maximum speed is 6100 ftp.&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;What is Phantom Flex's HQ mode?&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;The Phantom Flex is the only camera offering HQ mode. This technology, developed by Vision Research, is based on multiple samples per image. Simply put, the camera records the image several times and completely removes the pixels between the images thus decreasing the noise. The resulting image quality (dynamic range, noise reduction, and stable blacks) is significantly better. Hence in HQ mode, it is no longer necessary to conduct pre-shot black references. In HQ mode, the Phantom Flex's maximum speeds are almost half of those in SQ mode (get a preview of the speeds in the chart in the technical specifications or by referring to the Recording time calculator below).&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;What kind of memory does Sublab's Phantom Flex have?&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;To take full advantage of the Phantom Flex's resolution, Sublab offers a camera with 32 GB of internal memory, in other words, the maximum available. Actually, in HQ mode or at very high speeds in SQ mode, this much memory provides roughly the same recording times as our Phantom HD Gold 16 GB. And to download it all? Well, we were just getting to that.&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt; What recording possibilities does the Phantom Flex offer ?&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;The Flex camera proposes two workflows for exporting rushes: a raw digital workflow, a video workflow, or a combination of both.&lt;/p&gt; &lt;p&gt;With a video workflow, the Phantom Flex offers a video signal on the dual-link HD-SDI ports, allowing you to control and record on your favourite digital or tape-based unit without further converting the images to 4:4:4.&lt;/p&gt; &lt;p&gt;And just like the Phantom HD Gold, the Flex is also &lt;a href=&quot;http://www.sublab.tv/IMG/png/PhantomCinestation.png&quot; rel=&quot;shadowbox&quot;&gt;cinemags&lt;/a&gt; compatible for fast downloading during takes and finding the classic raw workflow.&lt;/p&gt; &lt;p&gt;The aptly named Phantom Flex is a perfect fit for Sublab's services and development. Actually, using fibre optics for downloading in our digital lab has already given us a leg up in on-set downloading (we're seven times faster than our competitors) and viewing and controlling rushes (in 2- and 3-D), for a streamlined and more economical post-production workflow.&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt; The Phantom HD Gold sensor vs. the Flex sensor&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;In terms of size and resolution, here is a very interesting comparison of the two sensors. Sensibility-wise, the Flex boasts 500 ASA (25 ftp, 180 shutter), i.e., close to two stops more than the Phantom HD Gold. Lighting is therefore less expensive and less cumbersome.&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;i&gt; &lt;strong&gt; A few useful links :&lt;/strong&gt; &lt;/i&gt;&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;http://www.visionresearch.com/index.cfm?sector=tools&amp;page=timecalc&quot; rel=&quot;shadowbox;height=700;width=700&quot;&gt;Recording time calculator&lt;/a&gt;&lt;/p&gt; &lt;p&gt;This freeware lets you convert your Phantom .cine sequences to a number of other file formats: &lt;a href=&quot;http://www.visionresearch.com/index.cfm?sector=htm/app&amp;page=software&amp;do=complete&amp;cid=0&amp;sid=71&amp;p=5AB7B93F27D291F800AE0E14ED641F2C&quot; rel=&quot;shadowbox;height=400;width=700&quot;&gt;Cineviewer 765&lt;a/&gt;&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; Be sure to check out&lt;a href='http://www.sublab.tv/presta-1.html' class='spip_in' hreflang='fr'&gt;FAQ de la Phantom HD Gold&lt;/a&gt; for more information on recording with a high-speed digital camera and on Sublab's accessories and locations.&lt;/p&gt;&lt;/div&gt;
		
		</content:encoded>


		

	</item>
<item xml:lang="en">
		<title>Phantom HD Gold</title>
		<link>http://www.sublab.tv/Phantom-HD-Gold,88.html</link>
		<guid isPermaLink="true">http://www.sublab.tv/Phantom-HD-Gold,88.html</guid>
		<dc:date>2010-08-22T22:16:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>raoul</dc:creator>



		<description>Sublab primarily uses Phantom HD GOLD camera with 2K image sensor, comparable in size to Super 35, and able to capture anywhere from 25 to 1,000 frames per second. Our camera is great for HD slow-motion shots, with 35 mm depth of field. We have the most experienced technicians in Paris manning our Phantom HD Gold cameras, which have all the latest enhancements: enhanced dynamics, more stable black balance, and improved colorimetry response. &#171; Fitted with its HD colour viewfinder and its (...)

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&lt;a href="http://www.sublab.tv/-Phantom-HD-Gold-.html" rel="directory"&gt;Phantom HD Gold&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;Sublab primarily uses &lt;a href=&quot;http://www.sublab.tv/IMG/png/PhantomCamera01.png&quot; rel=&quot;shadowbox&quot;&gt;Phantom HD GOLD&lt;/a&gt; camera with 2K image sensor, comparable in size to Super 35, and able to capture anywhere from 25 to 1,000 frames per second. Our camera is great for HD slow-motion shots, with 35 mm depth of field.&lt;/p&gt; &lt;p&gt;We have the most experienced technicians in Paris manning our Phantom HD Gold cameras, which have all the latest enhancements: enhanced dynamics, more stable black balance, and improved colorimetry response.&lt;/p&gt; &lt;p&gt;&lt;i&gt;&#171; Fitted with its HD colour viewfinder and its &lt;a href=&quot;http://www.sublab.tv/IMG/png/PhantomCinestation.png&quot; rel=&quot;shadowbox&quot;&gt;cinemag&lt;/a&gt; : Freedom up to 1,000 fps &#187; &lt;/i&gt;&lt;/p&gt; &lt;p&gt;Sublab demonstrates an ability to adapt to your post-production chain by offering a number of configurations so you can record and save during the shoot.&lt;/p&gt; &lt;p&gt;Driven by our clients' specific needs, Sublab offers personalized rental and support services. Thanks to multiple partnerships with other audiovisual purveyors, Sublab is able to fulfill all your equipment needs&#8212;or fill in any gaps. Simply send us your list of materials and we'll take care of the rest. And if your imaging needs seem complicated or even out of the ordinary, feel free to contact us&#8212;that's what we thrive on. See for yourself by checking out our sample work on our Web site.&lt;/p&gt;&lt;/div&gt;
		
		</content:encoded>


		

	</item>
<item xml:lang="en">
		<title>Underwater Housing for Phantom</title>
		<link>http://www.sublab.tv/Underwater-Housing-for-Phantom.html</link>
		<guid isPermaLink="true">http://www.sublab.tv/Underwater-Housing-for-Phantom.html</guid>
		<dc:date>2010-08-21T23:31:11Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>raoul</dc:creator>



		<description>In collaboration with Deep Vision, Sublab designed underwater housing specifically for the Phantom HD Gold. Not only can we create magical and beautiful underwater images, we can control our camera from the surface and regulate the development, the iris, and&#8212;most importantly&#8212;the speed: we need only determine the speed of our camera to go from 1,000 to 25 frames/second. Equipped with a CineMag, this equipment allows us to shoot for several hours without ever having to take the camera out of (...)

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&lt;a href="http://www.sublab.tv/-Underwater,22-.html" rel="directory"&gt;Underwater&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;In collaboration with Deep Vision, Sublab designed underwater housing specifically for the Phantom HD Gold. Not only can we create magical and beautiful underwater images, we can control our camera from the surface and regulate the development, the iris, and&#8212;most importantly&#8212;the speed: we need only determine the speed of our camera to go from 1,000 to 25 frames/second. Equipped with a CineMag, this equipment allows us to shoot for several hours without ever having to take the camera out of the water.&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;http://www.sublab.tv/Pub_Roumanie_007.jpg=&quot;shadowbox[Underwater]&quot;&gt;Underwater pictures&lt;/a&gt;
&lt;a href=&quot;http://www.sublab.tv/Pub_Roumanie_008.jpg&quot; rel=&quot;shadowbox[Underwater]&quot;&gt;&lt;/a&gt;
&lt;a href=&quot;http://www.sublab.tv/Pub_Roumanie_010.jpg&quot; rel=&quot;shadowbox[Underwater]&quot;&gt;&lt;/a&gt;
&lt;a href=&quot;http://www.sublab.tv/iPub_Roumanie_013.jpg&quot; rel=&quot;shadowbox[Underwater]&quot;&gt;&lt;/a&gt;
&lt;a href=&quot;http://www.sublab.tv/Pub_Roumanie_014.jpg&quot; rel=&quot;shadowbox[Underwater]&quot;&gt;&lt;/a&gt;
&lt;a href=&quot;http://www.sublab.tv/Pub_Roumanie_023.jpg&quot; rel=&quot;shadowbox[Underwater]&quot;&gt;&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="en">
		<title>Technical Specifications</title>
		<link>http://www.sublab.tv/Technical-Specifications.html</link>
		<guid isPermaLink="true">http://www.sublab.tv/Technical-Specifications.html</guid>
		<dc:date>2010-08-21T22:10:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>raoul</dc:creator>



		<description>Resolution/Speed Chart (fps) 2048 x 2048	: 555 2048 x 1104 (2k 1.85) : 1,029 2048 x 872 (2k 2.35) : 1,302 1920 x 1080 (HDTV 16:9)	: 1,052 1280 x 720 (HDTV 16:9) : 1,576 Max.&#160;Resolution : 2048 x 2048 Number of Pixels : 4 194 304 Pixel Bit Depth : 14-bit selectable Image sensor&#160;Size: 25.5mm x 25.5mm ISO (...)

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&lt;a href="http://www.sublab.tv/-Phantom-HD-Gold-.html" rel="directory"&gt;Phantom HD Gold&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt; Resolution/Speed Chart (fps)&lt;/strong&gt;
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; 2048 x 2048	: 555
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; 2048 x 1104 (2k 1.85) : 1,029
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; 2048 x 872 (2k 2.35) : 1,302
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; 1920 x 1080 (HDTV 16:9)	: 1,052
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; 1280 x 720 (HDTV 16:9) : 1,576&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Max.&#160;Resolution :&lt;/strong&gt; 2048 x 2048
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Number of Pixels :&lt;/strong&gt; 4 194 304 &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Pixel Bit Depth :&lt;/strong&gt; 14-bit selectable &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Image sensor&#160;Size:&lt;/strong&gt; 25.5mm x 25.5mm
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;ISO :&lt;/strong&gt; 600 ( 160 ASA, 25 fps, 180&#176; shutter) &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Shutter Type :&lt;/strong&gt; Electronic progressive
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;High-Speed (DRAM) Memory :&lt;/strong&gt; 16GB integrated &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Lens Mounts:&lt;/strong&gt; PL Mount, PV Mount and F Mount (Nikon)
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;DC Power / Battery :&lt;/strong&gt; Yes; External +24VDC &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Video Out :&lt;/strong&gt; HD-SDI, (720p, 1080p)
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Camera Size:&lt;/strong&gt; 13.97cm x 19.4cm x 30.8cm &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Weight :&lt;/strong&gt; 5.5kg (without CineMag or lens) &lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;strong&gt;Ethernet Connectivity Gigabit Ethernet :&lt;/strong&gt; 1000BASE-T&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="en">
		<title>FAQ</title>
		<link>http://www.sublab.tv/FAQ,87.html</link>
		<guid isPermaLink="true">http://www.sublab.tv/FAQ,87.html</guid>
		<dc:date>2010-08-21T22:09:30Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>raoul</dc:creator>



		<description>How is the Phantom HD Gold camera able to record up to 1,000 frames per second? The Phantom HD Gold camera records directly to its RAM, the camera's internal memory. Just like a computer. The recording process is controlled from start to finish using different configurations adapted to your needs. What are CineMags and CineStation? A CineMag is an accessory specially designed by Vision Research for Phantom cameras. It's a large chunk of flash memory that attaches directly to the (...)

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&lt;a href="http://www.sublab.tv/-Phantom-HD-Gold-.html" rel="directory"&gt;Phantom HD Gold&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;i&gt; &lt;strong&gt; &lt;strong&gt;How is the Phantom HD Gold camera able to record up to 1,000 frames per second?&lt;/strong&gt; &lt;/strong&gt; &lt;/i&gt;&lt;/p&gt; &lt;p&gt;The Phantom HD Gold camera records directly to its RAM, the camera's internal memory. Just like a computer. The recording process is controlled from start to finish using different configurations adapted to your needs.&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;i&gt; &lt;strong&gt; &lt;strong&gt;What are CineMags and CineStation?&lt;/strong&gt; &lt;/strong&gt; &lt;/i&gt;&lt;/p&gt; &lt;p&gt;A CineMag is an accessory specially designed by Vision Research for Phantom cameras. It's a large chunk of flash memory that attaches directly to the camera's body. You can record directly to the CineMag&#8212;bypassing the camera's internal memory&#8212;or just record at full speed to the RAM and upload the parts you want to keep to the CineMag. This takes less than 10 seconds. This lightweight, removable configuration ensures quick transfers and an extremely smooth workflow on the set.&lt;/p&gt; &lt;p&gt;The data can be saved as raw files with the &#8220;.cine&#8221; extension, exportable in 4:4:4 format. It can then be downloaded with a CineStation at a significantly faster transfer rate than normal &#8230; Sublab's technology makes it possible to view, calibrate, and copy these files in real time thanks to the 3-D Digital Lab that can read up to two streams in real time. This means you can now have a direct rendering of your projects in 3-D and real time.&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;i&gt; &lt;strong&gt; &lt;strong&gt;Are calculations required to review your images in slow motion?&lt;/strong&gt; &lt;/i&gt;
&lt;/strong&gt;
No. Images can be played back few seconds after taking the shot on HD monitors.
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;i&gt; &lt;strong&gt; &lt;strong&gt;Are moving or tracking shots possible with the Phantom HD?&lt;/strong&gt; &lt;/i&gt;
&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;The camera can clearly be moved in a number of ways. We tend to use hi-speed dollies, Steadicams, and any other classic machinery or motion control device. But we also like being able to put our cameras in underwater housing and other installations required to meet your needs.&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;i&gt; &lt;strong&gt;A few useful links:&lt;/strong&gt; &lt;/i&gt;&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;http://www.visionresearch.com/Tools/TimeCalc/&quot; rel=&quot;shadowbox;height=700;width=700&quot;&gt;Recording time calculator&lt;/a&gt;&lt;/p&gt; &lt;p&gt;This freeware lets you convert your Phantom .cine sequences to a number of other file formats:&lt;a href=&quot;http://www.visionresearch.com/Service--Support/Downloads/Software/?ID=71&amp;Action=AgreeToTerms&quot; rel=&quot;shadowbox;height=400;width=700&quot;&gt;Cineviewer 765&lt;a/&gt;&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="en">
		<title>Packshot Studio 150 m2</title>
		<link>http://www.sublab.tv/Packshot-Studio-150-m2,86.html</link>
		<guid isPermaLink="true">http://www.sublab.tv/Packshot-Studio-150-m2,86.html</guid>
		<dc:date>2010-08-21T22:02:21Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>raoul</dc:creator>



		<description>A simple black cube equipped with hot and cold water. Ideal for shooting food, table tops, and special effects. Internet access and facilities to better accommodate your clients during shoots. Take advantage of Sublab's synergies and optimize your time by having all your products in one location. 10.60 m x 13.50 m Height: 4.90 m &#160; Drive-in loading dock Internet access, changing room, and work surface for food preparation with hot and cold water. Sorbonne 69 kW power supply (...)

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&lt;a href="http://www.sublab.tv/-Packshot-Studio-150-m2-.html" rel="directory"&gt;Packshot Studio 150 m2 (PARIS)&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;A simple black cube equipped with hot and cold water. Ideal for shooting food, table tops, and special effects. Internet access and facilities to better accommodate your clients during shoots. Take advantage of Sublab's synergies and optimize your time by having all your products in one location.&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; 10.60 m x 13.50 m Height: 4.90 m &#160;
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; Drive-in loading dock
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; Internet access, changing room, and work surface for food preparation with hot and cold water.
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; Sorbonne
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; 69 kW power supply
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; Three-phase power supply: 16, 32, and 64&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; &lt;a href=&quot;http://www.sublab.tv/IMG/png/acces.png&quot; rel=&quot;shadowbox&quot;&gt;a Map&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="en">
		<title>LabLight</title>
		<link>http://www.sublab.tv/LabLight,85.html</link>
		<guid isPermaLink="true">http://www.sublab.tv/LabLight,85.html</guid>
		<dc:date>2010-08-21T21:55:17Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>raoul</dc:creator>



		<description>LabLight 30 Kw Need to illuminate an insect for a 1,000-frames/second shot or shoot on a set that only has a 16 A of power? LabLight is what you need! The 30&#8209;kW continuous flash (3&#8211;7 seconds) is flicker-free and it never gets hot! TECHNICAL SPECIFICATIONS Power supply: 110/240 VAC 20 A current 1&#160;ms to reach full power and colour temperature: with minimal heat output and guaranteed depth of field. Flicker-free up to 100,000 fps 30,000-watt or two 15,000-watt light fixtures. 5400&#176;K (...)

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&lt;a href="http://www.sublab.tv/-FlashLight-.html" rel="directory"&gt;FlashLight&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;a href=&quot;http://www.sublab.tv/IMG/png/Lablight.png&quot; rel=&quot;shadowbox&quot;&gt;LabLight 30 Kw&lt;/a&gt;&lt;/p&gt; &lt;p&gt;Need to illuminate an insect for a 1,000-frames/second shot or shoot on a set that only has a 16 A of power? LabLight is what you need! The 30&#8209;kW continuous flash (3&#8211;7 seconds) is flicker-free and it never gets hot!&lt;/p&gt; &lt;p&gt;TECHNICAL SPECIFICATIONS&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; Power supply: 110/240 VAC 20 A current
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; 1&#160;ms to reach full power and colour temperature: with minimal heat output and guaranteed depth of field.
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; Flicker-free up to 100,000 fps
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; 30,000-watt or two 15,000-watt light fixtures.
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; 5400&#176;K colour temperature
&lt;br /&gt;&lt;img src=&quot;http://www.sublab.tv/local/cache-vignettes/L8xH11/puce-32883.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' /&gt; Wired remote and synchronizer for added control&lt;/p&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="en">
		<title>Digital Lab 3D</title>
		<link>http://www.sublab.tv/Digital-Lab-3D,84.html</link>
		<guid isPermaLink="true">http://www.sublab.tv/Digital-Lab-3D,84.html</guid>
		<dc:date>2010-08-21T21:49:28Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>raoul</dc:creator>



		<description>Digital Lab 3D The Digital Lab is a dual stream, real-time, raw player that supports the formats most commonly used in digital photography (ARRIFLEX D-21, RED One, SI-2K, Phantom HD, etc.) and a great deal of other formats as well. This tool enables: direct control of rushes by viewing the raw files in real time; the possibility of creating DPX or TIFF files; extremely quick conversions and downconversions; exporting data during the process; and even direct OneLight calibration. This tool (...)

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&lt;a href="http://www.sublab.tv/-Post-Production-Tools-On-Set-.html" rel="directory"&gt;Post-Production Tools On Set&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;Digital Lab 3D&lt;/p&gt; &lt;p&gt;The Digital Lab is a dual stream, real-time, raw player that supports the formats most commonly used in digital photography (ARRIFLEX D-21, RED One, SI-2K, Phantom HD, etc.) and a great deal of other formats as well. This tool enables: direct control of rushes by viewing the raw files in real time; the possibility of creating DPX or TIFF files; extremely quick conversions and downconversions; exporting data during the process; and even direct OneLight calibration.&lt;/p&gt; &lt;p&gt;This tool is the perfect mobile laboratory for processing your raw files. Capable of processing two streams in real time, the 3-D Digital Lab is the ideal tool for download with fiber, reading, analyzing, and streamlining post-production of your 2D and 3-D projects.&lt;/p&gt;&lt;/div&gt;
		
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